On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow; some days it may seem that no one knows what happens there. Yet in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and laws; those who award this neighbourhood its name.
The rules seem obvious at first. But in memory's prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget.
Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, "one of America's greatest storytellers," (Washington Post) has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made.
Hold onto your earphones as narrator Geoffrey Cantor skillfully zooms into and out of the lives of Brooklynites from the 1970s to the 1990s. Some crime novels are character driven; others are plot driven. Lethem's latest work seems sociologically driven. Characters are designated by labels like "white boys" rather than names, unveiling clashing cultures, all struggling to thrive in the city. Canto
