Far From the Madding Crowd was the first of Hardy's novels to give the name of Wessex to the landscape of south-west England and is set against the backdrop of the unchanging natural cycle of the year. The story both upholds and questions rural values with a startlingly modern sensibility.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features original illustrations by Helen Allingham and an introduction by Professor Mark Ford.
Gabriel Oak is only one of three suitors for the hand of the beautiful and spirited Bathsheba Everdene. He must compete with the dashing young soldier Sergeant Troy and respectable, middle-aged Farmer Boldwood. And while their fates depend upon the choice Bathsheba makes, she discovers the terrible consequences of an inconstant heart. Thomas Hardy was born in Dorset in 1840, the eldest of four children. At the age of sixteen he became an apprentice architect but continued to develop his classical education by studying between the hours of four and eight each morning. With encouragement from Horace Moule of Queens' College Cambridge, he began to write fiction. His first published novel was Desperate Remedies in 1871. Thus began a series of increasingly dark novels, all set within the rural landscape of his native Dorset. Such was the success of these early works, which included A Pair of Blue Eyes (1873) and Far From the Madding Crowd (1874), that he gave up his work as an architect to concentrate on his writing. However, he had difficulty publishing Tess of the D'Urbervilles (1889) and was forced to make changes in order for it to be judged suitable for family readers. This, coupled with the stormy reaction to the negative tone of Jude the Obscure (1895), prompted Hardy to abandon writing novels altogether and he concentrated on poetry for the rest of his life. He died in January 1928. Thomas Hardy's classic novel of rivalry and misplaced love with a new introduction by academic and poet, Professor Mark Ford.
