Multidirectional Memory brings together Holocaust studies and postcolonial studies for the first time. Employing a comparative and interdisciplinary approach, the book makes a twofold argument about Holocaust memory in a global age by situating it in the unexpected context of decolonization. On the one hand, it demonstrates how the Holocaust has enabled the articulation of other histories of victimization at the same time that it has been declared "unique" among human-perpetrated horrors. On the other, it uncovers the more surprising and seldom acknowledged fact that public memory of the Holocaust emerged in part thanks to postwar events that seem at first to have little to do with it. In particular, Multidirectional Memory highlights how ongoing processes of decolonization and movements for civil rights in the Caribbean, Africa, Europe, the United States, and elsewhere unexpectedly galvanized memory of the Holocaust. Rothberg engages with both well-known and non-canonical intellectuals, writers, and filmmakers, including Hannah Arendt, Aimé Césaire, Charlotte Delbo, W.E.B. Du Bois, Marguerite Duras, Michael Haneke, Jean Rouch, and William Gardner Smith.
"Multidirectional Memory is a pathbreaking work of interdisciplinary scholarship that will reconfigure the fields of Holocaust Studies and post-colonial theory. Rothberg's powerful study of the relations between Holocaust memory and decolonization illuminates the 'multidirectional' orientation of collective memory through half a century of transnational cultural production in Europe, North America
Berkeley
"This is the first book to take up the transnational and cross-disciplinary politics of memory in ways adequate to the difficulties and pitfalls of the topic. In its readings of theoretical and literary texts primarily from the 1950s and 1960s, it confronts the Holocaust with decolonization, successfully questioning the 'color line' separating these two discourses today. Deft in argument and subtl
Columbia University
"Rothberg's study is published in the prestigious 'Cultural Memory in the Present' series, and will undoubtedly have a lasting impact on memory studies and related fields . . . [I]t is to be hoped that Multidirectional Memory will inspire further recuperation of 'forgotten' works, and accompanying reassessments of the political entanglements of writers positions (and positionings)."
