National Provincial (1938) is first and foremost 'a social-political novel, a sprawling panorama of West Riding life and politics in the mid 1930s' as Rachel Reeves, currently the UK's Chancellor of the Exchequer as well as MP for Leeds West, writes in the Preface. This 600-page book begins with an enticing description of the central character's arrival home (Lettice Cooper draws us so inexorably into the Aire world that we are gripped from the first line). Mary has left her job as a journalist in London to take up a position on the Yorkshire Guardian close to her childhood home, mostly so she can help care for her mother, who has rheumatoid arthritis, when her sister marries a well-known local cricket star. Just like Mrs Gaskell's Wives and Daughters (1866) and Winifred Holtby's South Riding (1936), the novel evokes Yorkshire life in all its facets, as well as the everyday experience of a young woman living there. The climax of the book is a strike. But the main focus throughout is on snobbery, and very British kinds of snobbery; like Dorothy Whipple (another Northern writer), Lettice Cooper is clearly amused by this, and yet her interest remains very much in the political and social aspect of it all.Rachel Reeves ends her Preface with a beautifully written description of present-day Leeds, a city which 'has a proud history and confident future, but the inequalities of wealth and power that the Left Book Club attendees in Lettice Cooper's novel sought to abolish are still with us. In an age in which tensions between the national and the provincial persist, her story is of timeless relevance today.'National Provincial is a great favourite of book groups: despite its length, it is oddly page-turning, with plenty to discuss (domestic feminism, social inequality, women in journalism, and so on) and there's even a love story in there too. We can't recommend it highly enough. EndpaperAn early 1930s design by John Churton for the Silver Studio, intended for production as a woven cloth. © MODA, Middlesex University
